Amy Williams was born in Buffalo, NY in 1969, the daughter of Diane, now retired violist with the Buffalo Philharmonic Orchestra, and Jan, percussionist and Professor Emeritus at the University at Buffalo. She started playing the piano at the age of four and took up the flute a few years later (her first teacher was the legendary Robert Dick, so she could soon play “Chopsticks” in multiphonics…). She grew up in the heyday of the Center for the Creative and Performing Arts, hearing all the latest contemporary music and meeting composers who would later become influential to her: John Cage, Morton Feldman, Lukas Foss, Elliott Carter and many others. She went to Bennington College and, while there, decided to devote her life to performing and composing contemporary music. After a fellowship year in Denmark, she returned to Buffalo to complete her Master’s degree in piano performance at the University at Buffalo with pianist-composer Yvar Mikhashoff and her Ph.D. in composition, working primarily with David Felder. She returned to Bennington in 1998 as a member of the music faculty and she then moved on to a faculty position at Northwestern University in 2000. Since 2005, she has been teaching composition and theory at the University of Pittsburgh, where she is an Associate Professor. She was a 2017-2018 Fulbright Scholar at the University College Cork, Ireland.
Amy’s compositions have been presented at renowned contemporary music venues in the United States, Asia, Australia, and Europe, including Ars Musica (Belgium), Gaudeamus Music Week (Netherlands), Dresden New Music Days (Germany), Festival Aspekte (Austria), Festival Musica Nova (Brazil), Lucerne Festival (Switzerland), Thailand International Composition Festival, Music Gallery (Canada), LA County Museum of Art, Piano Spheres (Los Angeles), Lincoln Center, Roulette, Bargemusic (NYC) and Tanglewood Festival of Contemporary Music. Her works have been performed by leading soloists and ensembles, including the Pittsburgh Symphony Orchestra, Buffalo Philharmonic Orchestra, JACK Quartet, Ensemble Musikfabrik, Ensemble Surplus, Dal Niente, Wet Ink, Talujon, International Contemporary Ensemble (ICE), H2 Saxophone Quartet, Bent Frequency, pianist Ursula Oppens and bassist Robert Black. Amy’s pieces appear on the Parma, VDM (Italy), Centaur, Blue Griffin, New Focus and New Ariel labels, in addition to two portrait CDs of solo and chamber works on Albany Records: “Crossings: Music for Piano and Strings” (2013) and “Cineshape and Duos” (2017).
Amy formed the Bugallo-Williams Piano Duo with Helena Bugallo, while both were graduate students at the University at Buffalo. The Duo has been featured at important contemporary music festivals and series throughout Europe and the Americas, including the Ojai Festival, CAL Performances (California), Miller Theatre (New York), Musica Contemporanea Ciclos de Conciertos (Buenos Aires), Festival Attacca (Stuttgart), Palacio de Bellas Artes (Mexico City), Warsaw Autumn Festival, Cologne Triennale, and Wittener Täge für Neue Kammermusik. The Duo’s debut CD of Conlon Nancarrow’s complete music for solo piano and piano duet (Wergo, 2004) garnered much critical acclaim. Subsequent Duo CDs on Wergo include: Stravinsky transcriptions (2007), Morton Feldman/Edgard Varèse (2009), György Kurtág (2015) and a second volume of Stravinsky transcriptions (2018).
Amy has received fellowships from the American Academy of Arts and Letters (the 2016 Goddard Lieberson Fellowship), American-Scandinavian Foundation, Howard Foundation and John S. Guggenheim Foundation. She received a Fromm Music Foundation Commission to write “Richter Textures” for the JACK Quartet. An avid proponent of contemporary music, she served as Assistant Director of June In Buffalo, Director of New Music Northwestern, and is currently on the artistic boards of the Pittsburgh-based concert series, Music on the Edge, and the Yvar Mikhashoff Trust for New Music. She has been the Artistic Director of the New Music On The Point festival in Vermont since 2015.
Upcoming commissions include works for the Grossman Ensemble (Chicago) and a Koussevitsky Foundation commission for soprano Tony Arnold and the JACK Quartet.
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